作者：邓纯伯
来源：原创
时间：2026-08-26
阅读：7051919 次
宫心计
Deep focus: Behind the booming 'handcrafted economy,' ordinary creators turn AI side projects into viable ventures_我的网站
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Meet Qiguang, a 1991-born eyeglasses store owner whose AI-generated Chinese celestial realm racked up 5 million views overseas.
He is part of a rising movement in China: the "handcrafted economy," in which low-cost AI technologies and creativity are opening a new path to entrepreneurship.A white jade corridor stretches deep into a sea of clouds. The towering celestial palace rises above tiered upturned eaves, and red-crowned cranes glide between floating sanctuaries.
Shared online by viewers without subtitles or dialogue, this AI-generated short video racked up more than 5 million views across overseas social platforms in less than four days, attracting audiences worldwide.
Many overseas viewers assumed the atmospheric visual sequence came from a professional film studio or seasoned 3D animation team.
However, its creator, known online as Qiguang, leads a far more ordinary life. Born in Chengdu, Southwest China's Sichuan Province, in 1991, he now runs a physical optical shop. In his spare time between serving the customers, he taught himself AI image and video generation, painstakingly crafting the viral vision of a Chinese celestial realm.
Qiguang's overnight international fame is no isolated internet success story. It signals the spread of a new trend dubbed the "shoucuo" economy or handcraft economy. The term describes the process of bringing ideas to fruition by hand on a small scale with simple tools, relying mainly on individual skill or manual labor rather than dedicated industrial production lines.
On Chinese social media, the hashtag "Hand-Crafting Everything" has surpassed 100 million views. In app stores, solo developers are launching AI-powered tools that compete directly with products backed by tech giants. This movement, defined by low costs, high creative freedom and flexible, fragmented workflows, is reshaping the national imagination of entrepreneurship.
Two people, one vision of heaven
Few viewers of Qiguang's viral celestial video realized that behind its ethereal beauty stood not a studio of dozens, but just two people, and hundreds of discarded AI attempts.
Qiguang told the Global Times that he had long been fascinated by the grand, ethereal landscapes of Chinese mythology - the celestial palaces and floating realms described in ancient texts. Then he discovered the work of another creator, Xueli Xianzong (screen name), whose AI-generated visuals captured a distinct Eastern aesthetics and minimalist blank-space composition.
"I realized AI could break down the barriers for ordinary people," Qiguang said. "The images I'd held in my mind for so long could finally become visible."
Xueli Xianzong had arrived at a similar realization earlier. For years, he had wanted to visualize the celestial palaces of Chinese fantasy fiction, but traditional 3D modeling and live-action filming were prohibitively expensive for an individual. AI generation tools changed that. He began spending his free time learning text-to-image and image-to-video technologies, carving out a niche in the relatively obscure genre of Chinese fantasy visuals.
The two eventually became creative partners, though their collaboration is unusually loose.
"Mostly we create independently, then share our finished work for critique and inspiration. We absorb aesthetic ideas from each other's visuals and incorporate them into our own," Xueli Xianzong said. "This is how most creators in this space collaborate right now."
But if their creative partnership was remarkably uncomplicated, their struggle with AI itself was anything but straightforward. The process behind a video like "Chinese Heavenly Court" is far more painstaking than audiences have imagined. Qiguang broke it down: First, conceptualize the overall atmosphere and frame each shot's camera movement. Second, use an AI image generation tool to generate high-quality static images for each frame, endlessly tweaking prompts to control architectural details, color palettes, lighting and composition. Third, feed the selected images into AI video-generation models to add dynamic lens effects, like horizontal camera panning, drifting clouds, flowing sleeves. Fourth, sort through the output, discard distorted or broken footage, edit the clips together and finally choose music to match the mood.
"AI frequently produces garbled architecture, deformed figures or unnatural motion," Qiguang said. "You envision something perfect in your mind, but after dozens of generations, you still haven't transformed your vision into reality."
After two years of self-learning, Qiguang regards his biggest breakthrough as escaping generic mass-produced ancient Chinese aesthetics. To him, the handcraft economy differs fundamentally from traditional entrepreneurship at its starting point.
"You can begin with just one person and a single computer, turning ideas directly into content or products. Heavy upfront investment disappears, yet every tedious task, every round of trial and error falls solely on the creator," Qiguang said.
"The AI-assisted handcraft model removes many steep technical barriers. If you possess taste and imagination, you can experiment in your spare time," he noted with a beam of proud.
Guo Yi, a professor at the School of Journalism, Chongqing University, told the Global Times the handcraft economy can be more accurately described as "intelligent creation economy" or "geek creation economy": Human intellect directs computing power, and creativity guides automated tools. In many ways, the movement mirrors the global maker economy.
"Yet generative AI brings transformative changes beyond merely lowering entry costs for creative industries. It is restructuring cost frameworks and production relationships across creative sectors," Guo said.
A fast-growing community
Xu still vividly remembers, in January 2025, publishing a simple post on the social media platform Xiaohongshu: "I want to build an AI app that chats with elderly users and helps them compile life memoirs. Anyone want to join?"
Under conventional internet industry logic, the idea sounded unrealistic. Developing an app once required large teams and millions of capital. But AI rewrote these rules.
Xu previously worked in the energy sector with no coding background. Using domestic large language models including DeepSeek, she assembled a working product prototype block by block. Without dedicated product managers or UI designers, she single-handedly completed market research and product design.
"In the past, many good creative concepts were abandoned simply because their costs were too high. Today, AI has driven down model token costs, making experimentation accessible to ordinary people and drawing growing numbers of newcomers into this space," Xu told the Global Times.
The day after her recruitment post went live, a flood of private messages confirmed genuine market demand.
Li Ning, a professor at Tsinghua University's School of Economics and Management, pointed out that traditional entrepreneurship demands heavy investment in research, staffing, supply chains and market testing, discouraging many innovators.
"AI compresses these costs. Small teams working through independent handcrafted development can achieve outputs that once required hundreds of workers. This has also given more people the courage to start their own businesses." Li said.
Beyond gaps in costs, "handcrafted" teams follow different organizational and collaborative frameworks from established enterprises. Li told the Global Times that inside major companies, projects are pushed to deliver steady, foreseeable returns from conception through rollout. This type of environment creates barriers for disruptive ideas to flourish. Handcrafted teams, however, benefit from their lean size: They can shift direction quickly and iterate through constant trial and error.
"This has also given more people the courage to start their own businesses," he said.
Xueli Xianzong identified four core distinctions between the handcrafted economy and traditional entrepreneurship: low barriers to entry; creativity as the core while tools remain carriers; flexible collaboration without formal incorporation or fixed teams; and low trial-and-error costs, allowing creators to explore niche verticals without financial ruin.
According to Alibaba Cloud, the cloud computing arm of China's internet giant Alibaba, as of November 2025, nearly 23,000 AI applications have been built within the innovation zone on its ModelScope open-source platform, and roughly 95 percent of them were developed by individual creators.
Data from the "2026 China One Person Company (OPC) Industry White Paper" and sector reports show more than 16 million registered OPCs across China, as of April 2026.
Navigating headwinds for the creators
Yet if AI has flattened the technical playing field, what truly determines success? For those riding the wave of the handcrafted economy, the AI era offers a double-edged promise: unprecedented freedom to turn ideas into reality, paired with formidable obstacles that test resilience at every turn.
For Qiguang, it is the ability to perceive beauty: innate aesthetic judgment and imagination.
Xu argues that the most vital asset for new entrants is not capital, but sharp insight into unmet real-world needs. "AI excels at execution. Figuring out what to build is far harder than building it," Xu said.
The true competitive edge lies in translating technical capability into tangible user value. "Identify genuine underserved demands and turn technological capacity into value for users. Technology determines whether you can build a product. Understanding users, patience for iterative refinement and long-term trust determine how far a micro-venture can travel," she noted.
But even with the right instincts, the path from idea to market is anything but smooth. The explosive growth of handcrafted products brings steep challenges on that journey.
Xueli Xianzong noted AI enables cheap copying and imitation, while individual creators face exorbitant legal costs to defend their works. When infringement costs remain far lower than enforcement costs, creative enthusiasm inevitably fades.
Beyond intellectual property, creators must escape overreliance on fleeting online traffic. Qiguang observed platform algorithms tend to prioritize snappy, conflict-driven short content, while slow, culturally rich expression struggles to gain traction. He refuses to churn out formulaic commercial drama series chasing view counts, choosing instead to deepen grand storytelling.
"The handcrafted economy is no shortcut to quick wealth. It demands patience through periods of little reward," Qiguang said, noting that new participants need sufficient time and a willingness to endure repeated trial and error.
From an app development perspective, Xu highlighted another tension: balancing customized service and standardized workflows. If every project relies entirely on manual handcrafted labor, founders risk being trapped in high-intensity, low-profit self-employment. The sector needs mature workflows, delivery benchmarks and pricing frameworks. Tasks suitable for standardization can shift to AI, while human empathy and critical judgment stay central. Privacy and ethical safeguards also grow critical, especially for services handling personal memories and sensitive information.
Guo views inconsistent quality standards as typical growing pains, which market filtering mechanisms will gradually resolve. Delayed intellectual property frameworks and emerging governance challenges, however, require thoughtful ongoing policy attention, he said.
Authorities across China have begun rolling out supportive measures to address these obstacles. Over 20 cities have launched targeted policies for OPCs. The Beijing Economic-Technological Development Area offers streamlined business registration services for solo entrepreneurs, delivering business licenses in as little as 30 minutes. Qingdao in East China's Shandong Province rolled out a specialized platform for solo entrepreneurs, delivering end-to-end support for AI innovators from technical development to revenue generation.
At the same time, a network of OPC communities has taken shape. As of May 2026, 426 such communities operate across 28 provincial-level regions and 65 cities. These hubs provide physical workspace alongside networking events, resource matching and mentorship, connecting previously isolated solo creators into a connected ecosystem.
Huo Minhan contributed to this story
。 在许多人心中，医生这一职业长久以来都与高薪紧密相连。然而，在新加坡，这一传统观念正逐渐发生转变。根据新加坡人力部最新发布的《常年职业工资调查》报告，2023年最赚钱的职业并非医生，而是石油和海事燃油交易员。这一变化不仅反映了新加坡经济的多元化发展，也揭示了职场薪酬结构的动态调整。薪资最高的职业竟然是...... 在2023年的新加坡职场，石油和海事燃油交易员居然月薪中位数最高。新加坡人力部在六月底公布的《常年职业工资调查》报告中显示，该职业的总月薪中位数竟然高达1万4911新元，位居所有职业之首。
B | 这一数字，不仅远超传统高薪职业如医生、律师等，也充分体现了新加坡作为全球贸易和金融中心对能源市场的高度依赖和敏锐洞察。石油交易员的崛起，是新加坡经济多元化发展的一个缩影，也是全球经济格局变化在微观层面的具体体现。第二梯队有哪些职业？ 紧随石油交易员之后的是科技领域。首席信息官、技术官、安全官等职位以月均超过1万3000新元的收入，稳居高薪职业的第二梯队。新加坡编辑职业的月薪也较高，平均收入达到1万新元大关，稳居薪资排行榜的第18位，紧随医生之后，后者则占据第15名的位置。
C | 这一数据不仅彰显了编辑工作在新加坡社会中的重要性与价值，也反映了该领域专业人才所享受的薪酬优势。新兴职业 网络安全 值得注意的是，技术、金融与媒体行业继续展现出强劲的薪酬竞争力，多个相关职位跻身薪资榜单前20强。
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E | 从农业科技到绿色基础设施，从银行与金融服务到旅游及款待业，每一个行业都在为新加坡的经济增长贡献着力量。这些行业的繁荣不仅为求职者提供了广阔的就业空间，也推动了新加坡经济的多元化发展。新国立有石油相关专业吗？ 有！ 化学与生物分子工程 Chemical and Biomolecular Engineering 化学工程（Chemical Engineering, ChE）是一门应用科学，专注于设计、开发和优化化学过程，以实现化学品、石油产品、食品、药品及消费品的高效、安全、环保生产。它涉及反应工程、热传递、分离技术及生物现象等多个领域。课程特色： 目标：培养能够解决复杂工程问题的未来工程师。内容：涵盖材料组成、能量转换、物质性质、物理作用、生物材料特性及数学关系等。
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H | 资助金额：首届奖学金预付45,000新币。申请条件：化学工程学士学位课程第3或第4阶段学生。新加坡公民或永久居民。累积平均绩点（CAP）至少4.0（第2、3阶段结束时）。未同时接受其他形式的资助（除非获得批准）。评选流程：由ChBE系组建评选委员会进行面试和选拔，具有唯一裁量权。特别鼓励：第3阶段获奖者有机会在英菲尼姆新加坡实习。
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