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工信部：加快6G核心技术攻关！为6G商用做好准备_我的网站

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    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。    8月26日消息，国新办今日举行“开局起步‘十五五’”系列主题新闻发布会，工业和信息化部相关负责人介绍全力抓好“十五五”规划实施、加快推进新型工业化有关情况。    发布会上介绍，6G发展将是“十五五”时期的重中之重。     我们将加快6G核心技术攻关，持续开展6G技术试验、标准研制，促进6G产业成熟和生态构建，为6G商用做好准备。          业内普遍认为，6G通信能力将达到5G的10倍以上，并有望在2030年左右实现商用。     此前全球移动通信系统协会大中华区总裁斯寒表示，中国有望成为全球6G部署领先国家之一，预计到2035年，6G渗透率将达到60%。     作为第六代移动通信技术，6G将在5G基础上实现全方位变革，推动通信技术从移动终端走向千行百业。         如果把5G比作信息高速路，6G则是空天地海一体化覆盖的超级智能网，实现不止于速度的全方位变革，具备三大核心能力：     首先，6G跑得更快。     依托毫米波、太赫兹等更高频段，带宽可达5G十倍以上。

二 |     北京大学等团队提出光纤-无线融合通信方案，实现光纤与太赫兹无线无缝衔接，单通道传输速率达数百Gbps，4K超高清电影可在1秒内完成下载，处于世界领先水平，为6G速率革命奠定基础。          其次，6G看得更清。     6G拥有超高精度感知能力，基站兼具通信与雷达探测成像功能，太赫兹波频率高、波长短，可实现亚米级乃至厘米级精准定位与测距。    通过反射信号分析，能为无人机、自动驾驶提供更灵敏的数字感知能力，实现精准路况识别与智能避障。    最后，6G还更聪明。     传统网络依赖云端处理数据，6G基站自带本地AI计算能力，可独立完成数据处理与智能决策，提供个性化智能服务，加速行业数智化转型，同时支持网络自诊断、自修复与自优化，呼应人工智能+发展部署，夯实智能经济基础。         

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